Download Seibi Minato Font Family From Nihon Literal

Designed for the covers of children’s literature and picture books, this is a freehand-style, rounded gothic typeface that conveys warmth and softness. It has also been sold as a font for use in game software.

児童書や絵本の表紙向けにデザインされた、あたたかさややわらかさを表現したい場面で使われるフリーハンド（手書き風）書体です。ゲームソフトなどに組み込まれるフォントとしての販売実績もあります。右肩上がりのリズミカルなフリーハンドタッチで、ヨコ組タテ組どちらでも読みやすく組むことができます。

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Download Saint Amour Font Family From Calamar

Download Saint Amour Font Family From Calamar Saint Amour Script is an elegant calligraphy font that will look awesome on wedding and event stationery, logos and branding materials, cards and so on. Saint Amour Script includes Uppercase and Lowercase Cyrillic and Latin Basic Characters, Numbers and Punctuation. Also the font contains ligatures and stylistic alternates to perfectly re-create natural calligraphy. Saint Amour Script supports Latin & Cyrillic alphabets giving a huge range of language support, including: albanian, belarusian, bosnian, bulgarian, croatian, czech, danish, dutch, english, estonian, filipino, finnish, french, german, hungarian, icelandic, indonesian, irish, italian, latvian, lithuanian, luxembourgish, polish, portuguese, romanian, russian, slovak, slovenian, spanish, swedish, swiss german, turkish, turkmen, ukrainian, welsh and much more. Download Saint Amour Font Family From Calamar Download Now View...

Download Kobenhavn CS Font Family From Fontpartners

Download Kobenhavn CS Font Family From Fontpartners New versions of FP København Sans family now available: FP København CS. CS for Condensed Sans, or Condensed City. Download Kobenhavn CS Font Family From Fontpartners Download Now View Gallery

Download Atyp Font Family From Suitcase Type Foundry

Download Atyp Font Family From Suitcase Type Foundry The sources of inspiration for the Atyp typeface are spread out widely both stylistically and chronologically. The basic proportions of the uppercase refer to the elementary geometric constructions of the Bauhaus. The subtle details in the drawing of the characters and the microscopic adjustments, which evoke the illusion of uniformity and mechanical purity, pay homage to the rationalism of the typefaces popular in the International Style. The increased contrast of the joints of the bowls and shoulders in the Display weight, which in certain diagonal curves transition into almost deconstructive permutations. For a change these take delight in doing things on purpose, teasing readability and breaking the rules of the new millennium's typography. Atyp was created by adapting a typeface originally made for a commercial television station. The potential of the neutral grotesque, proven by i...

Hedwig Yegorova

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