Download Callisto Font Family From Groteskly Yours

Callisto is a classic serif stencil fonts that is a stencil font like no others. Elegant curves are paired with great legibility and wide range of available glyphs. While stencil fonts are generally thought of as too masculine and rough, Callisto is very feminine and soft, which makes it perfect as a logo font for those who seek to further emphasise their brand's identity. Despite being a display font, Callisto looks great at smaller sizes, so short headlines and headers will look natural and email legible even in smaller sizes. Callisto comes in two styles —Regular and Half —which can easily be combined within the same body of text. Regular is a more minimal style, with wider and more open apertures, while Half is a hybrid between a serif and stencil font that still has longer strokes and stems. Each style consists of 415 glyphs, ranging from fractions to diacritics. There are a number of glyphs with cool stylistic alternatives (which is awesome for branding), lots of punctuation and OpenType features. Callisto is a great font for designers and artists who need a feminine font with a really strong character.

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Download Cathiy Betiey Font Family From Jamalodin

Download Cathiy Betiey Font Family From Jamalodin Cathiy Betiey Script is modern calligraphy script font. Every single letter has been carefully crafted to make your text look beautiful. With a modern script style, this font is perfect for many different project, such as: invitations, greeting cards, posters, name card, quotes, blog headers, branding, logos, fashion, apparel, letters, stationery and more! Cathiy Betiey Script comes with 540+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed i...

Download Poultry Sign Font Family From Ingrimayne Type

Download Poultry Sign Font Family From Ingrimayne Type While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result. Poultry Sign has six styles in two widths, each with three weights. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys. The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y,...

Download Riacho Font Family From SullivanStudio

Download Riacho Font Family From SullivanStudio Riacho is a Portuguese word for “creek”. It evokes movement and tranquility. It was in this spirit that I created Riacho: I wanted a typeface that would bring the industrial dynamism of a sans serif while passing the informality and trust of an old friend. Riacho is completely handmade, stylus-designed, with a rational, objective attitude. Riacho is sans, but its capital letters are serif. The kerning is rigorous, and the ligatures are reduced to the essentials without distractions. The font features a subtly emotive handwriting, which makes it ideal for editorial material for children and young people. Poems, love letters, food recipes ... everything that is about feelings and sensations looks fresh and elegant dressed in Riacho! Riacho, for its friendly sobriety, also looks (and prints) great with scientific texts. Mathematical equations typeset in LaTeX / XeTeX systems have never looked so...

Hedwig Yegorova

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